High ISO tests with the - Sony RX-100 II

The version of Sony's RX100 camera, the II or M2 depending upon which Sony literature you are reading, boasts an increased ISO range up to 12,800 from 6400 in the prior model. That is a lot to expect from a camera with a 1" sensor. So naturally I wanted to see for myself just how high I could take it and still satisfy my own needs and standards.

sony rx-100, sony rx-100 II, tests with the sony RX-100 II
The RX100 II set to an ISO of 12,800 took a portrait of itself in the reverse mirror of a medicine cabinet by using its 10 second delay. The grain effect is noise that was greatly exaggerated by cropping and then using the extreme contrast of a curves layer in Photoshop.
Shooting at a high ISO levels usually coincides with lighting circumstances having very high contrast and deep shadows with little or no detail, and this tends to exaggerate the effects of noise even more than an evenly lit scene would. The photo below was taken in just such a poorly lit scene, a dimly lit bar with mixed and contrasty light. The RX100 was set to ISO 3200. You can download a full res version of the photo by clicking here.  The dark area of the beers were in the deepest shadows and were brightened up in post-processing. Doing this is essentially the same as having shot that area at a higher ISO to begin with, and consequently causes much more exaggerated noise to occur there.

For the purposes of this demonstration I did not use any noise reduction in post-processing. Had I done so, I could have reduced the noise to acceptable levels in photos shot at ISO 3200 and below. Above that level, artfacting occurs that is difficult to correct without loss of detail.

sony rx-100, sony rx-100 II, tests with the sony RX-100 II
The area in the dark part of the beers show excessive noise when opened up in post-processing. The High Res version of this file can be downloaded by clicking here.
The test photos below were taken at ISO's ranging from 400 to 12,800. I did not feel the need to go below ISO 400 because no noise was apparent below that level. In fact, using the camera in an ISO range of 100-400 produces the highest quality with no visible noise needing correction. Once you hit ISO 800 and beyond, however, noise begins to creep in and will require some reduction when using the image at larger sizes.

Also note that in the situation below, although I used ISO's up to 12,800, this scene did not demand it because it had much more ambient light available than the bar scene above. Nonetheless, downloading the hi res version of the various sample images will provide a good example of what you can expect noise to look like at the various ISO setting of this camera.

sony rx-100, sony rx-100 II, tests with the sony RX-100 II
The ISO test was done from ISO 400-12,800 of the scene above. Download the hi res samples by clicking on the links below.
Download hi res test images here:

RX-100 II - ISO 400
RX-100 II - ISO 800
RX-100 II - ISO 1600
RX-100 II - ISO 3200
RX-100 II - ISO 6400
RX-100 II - ISO 12,800

Conclusion:

If we compare the ISO levels of the RX100 II to those of a high end full frame camera, it isn't going to look so good. After all, cramming 20.7mp onto a 1" sensor has to have some repercussions in noise levels. But, if we take it for what it is, a small, portable camera, convenient enough to always have with us to grab shots we would otherwise miss, it does an admirable job. And a bit of extra post-processing to deal with noise is a small price to pay for getting what would otherwise be a missed opportunity.

Using the RX100 II up to an ISO level of 1600 should not present any real noise problems that are not easily fixable in post-processing. At ISO 3200 and above some artifacting creeps in that makes the images more problematic, but not impossible, to deal with. Ultimately, the shooting circumstances will determine just how bad the final noise will be. It could become very difficult to correct in dimly lit, contrasty scenes with ISO levels of 3200 and beyond. As a result of my own tests, I will try to keep the maximum ISO level of the RX100 II topping out at 1600 whenever possible. This will be helped by using the f/1.8 aperture the camera has at its widest zoom range.


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Description: High ISO tests with the - Sony RX-100 II Rating: 3.5 Reviewer: LAMPSOLS ItemReviewed: High ISO tests with the - Sony RX-100 II

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Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging free Lens 

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The EOS Rebel T3i has an 18.0 Megapixel CMOS (Complementary Metal Oxide Semiconductor) sensor that captures images with exceptional clarity and tonal range and offers more than enough resolution for big enlargements or crops. This first-class sensor features many of the same new technologies as used by professional Canon cameras to maximize each pixel’s light-gathering efficiency. Its APS-C size sensor creates an effective 1.6x field of view (compared to 35mm format).

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After reading through a lot of reviews, Lowepro Passport Sling seems a good fit - easy to use and comfortable with enough storage for both camera and personal items.- Christine

The Canon Rebel T3i takes the consumer level dSLR a couple steps closer to the mid-level Canon 60D with the addition of the rotating rear LCD screen, remote flash firing, and in-camera processing features.

Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera Feature:

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The already highly competent, older Rebel T2i already shared many important features with the 60D (and even features of the semi-pro 7D) including the 18 MP sensor, 63-zone exposure metering system, high ISO performance, HD movie capabilities, and Digic 4 image processor. With these new upgrades, it might make it even more difficult to choose between them. But there are some important differences.
If you are considering the Rebel T3i vs T2i, the Rebel T3i is replacing the T2i. Since both cameras share the same 18 megapixel sensor and Digic 4 processor, both the T2i and T3i will create images with exactly the same image quality, produce the same low light/ high ISO performance, shoot at 3.7 frames per second, and have nearly the same size and build quality. They are both offered with the same 18-55mm kit lens (with some minor cosmetic differences on the new T3i kit lens).

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The T3i is very slightly larger and heavier due to the addition of the rotating rear LCD monitor. And that is one of the biggest differences between the two cameras. Do you want and need a vari-angle rear screen or not? The other major difference is the ability of the T3i to remotely control multiple off-camera flashes. Like the 60D and 7D, you can use the built-in flash of the T3i to trigger other Canon Speedlites.

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Let me start off by saying - trying to be succinct with a digital camera review is difficult. There are so many features and functions available that one could easily type a novel without trying. That said, I will do my best.
The Sony Cybershot H200 does a good job of giving the user enough control to get creative, without burdening them with too many technical details. This will either make the user happy that most of the guesswork is taken out of the equation, or leave them wanting more control than the camera can give them.

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Customer Reviews :
The menus are intuitive, and there's even on-screen help that can assist you with everything from the basics to more advanced techniques.- Adam
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At a tad over 20 megapixels, the images the camera capture are clean when the ISO is set low. The dynamic range in the images is pretty good. There are plenty of settings to enable the user to capture some of the most popular types of images - in-focus foreground subjects with background that are blown out, landscape images, low-light scenes, images which focus on skin tone, and a number of other settings that can be set with a simple twist of the dial and a couple of clicks with the selector switch on the back.

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Speaking of the back, the LCD is a nice touch. It's big and bright, and people should have no trouble seeing their way around the camera's menus thanks to it. The menus are intuitive, and there's even on-screen help that can assist you with everything from the basics to more advanced techniques.
The on-board flash is powerful enough to rescue scenes which are too dark, but unfortunately there is no hot shoe, so adding on to the camera with external flashes and accessories is a no-go. The grip on the unit is a little aggressive for my taste, but it's not to the point of being uncomfortable.

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One of the things I found puzzling is that the camera has a manual mode. Traditionally this setting gives the user full control over aperture, shutter speed, ISO, white balance and focus. Most of those are there, but curiously manually focusing the lens seems to not be one of these options. Being one of the key components for taking a picture, it's sorely missing.
Video capture seems to work adequately, and records at 720p. There is a connector for a mini-USB plug that supplies audio and video signal. Another drawback is there's no way to externally power the unit, nor is there a microphone input. You're stuck with what's on the camera when it comes to all of this.
I think for its price it's a great bargain, and should be especially attractive to new shooters.

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Description: Sony Cybershot H200 Black 20.1MP 26X Cheap Price Rating: 3.5 Reviewer: LAMPSOLS ItemReviewed: Sony Cybershot H200 Black 20.1MP 26X Cheap Price

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