Now that the rumor mill is buzzing with the idea of Fujifilm introducing a full frame X-Pro2, I find myself wondering about what that will mean in terms of change to the classic X-camera design.
Despite the introduction of newer, improved models culminating in the very latest X-T1, I've grown fondly attached to my X-Pro1, and threatened by the prospect of an updated, full frame version. I feel a little like Paul Simon when he sings, "Please don't take my Kodachrome away."
Of course sensor technology will continue to change while the X-Pro2 is still in design stage so it would be foolish to speculate too much on what it might become. Basing speculation on the design philosophy of the X-series, would argue for a full frame sensor that is good in low light, a step up in megapixels, and something that does not bog down the camera with excess processing -- perhaps a jump up to 24mp. At that level the X-Pro2 would go head-to-head with the Sony A7 and Leica M 240.
A bigger question for me is whether an X-Pro2 will keep its basic style with a hybrid optical/EVF viewfinder. I sure hope so. That is one of the main features that makes the camera so appealing as a cult classic. The other question is whether an EVF finder incorporated into an optical system can have the same excellent characteristics of viewfinder size, refresh rate, and image quality as the X-T1. I'm guessing the engineers at Fujifilm are working on that question right now.
Will a full frame X-Pro1 design be plagued with the same lens conundrum Sony faced with the A7? I am not talking about how Sony dropped the ball by introducing a camera with only the shallowest of lens support. I don't think Fuji would ever make that mistake. Instead, I am thinking of the inherent problem with designing lenses for full frame, which is that they must be larger to cover the larger sensor area and this flies in the face of keeping mirrorless systems compact. Modern lenses are also bulked up by all the auto-focus and stabilization engineering now shrouding the interior optics -- something the manual Leica lenses do not have to include. To make the lenses intended for the A7 full frame series in a size that does not over-power the small camera, Sony had to down-size the maximum zoom apertures to f/4. The new pro zooms coming out for the X-series will be f/2.8 -- larger glass than the variable zooms, certainly, but still reasonably small due to the smaller APS-C sensor they have to complement.
The X-Pro2 will most assuredly accept Leica M lenses. Focus peaking coupled with image magnification now make using manual lenses far more practical. If the X-Pro2 can maintain the optical viewfinder as well as the EVF, it is going to become a very attractive, and much less expensive alternative or supplement to the Leica M.
Fujifilm prides itself, and justly so, on listening to its client base. My guess is that this philosophy of listening will influence the X-Pro2 design as it begins to take shape and reactions come in from the user pool. Not everyone is going to be pleased by going up to full frame. Fuji has mastered the smaller APS-C sensor to a point where serious pro photographers are having no compunction about making the switch from full frame DSLR to Fuji APS-C. The Fuji cameras are really that good.
I have mentioned repeatedly in my reviews of many mirrorless cameras that I feel the manufacturers have gotten caught up in a trendy competition to see who can make the smallest one. To me the nice thing about the X-Pro1 is that it is slightly larger than the rest of the X lineup -- not a lot larger, but enough to make it easier to hold and operate the controls. Maybe instead of moving the X-Pro to full frame, Fuji could consider keeping it as a slightly larger alternative to its other models, perhaps even giving it a beefed up APS sensor. This would add more versatility and choice to the X-camera lineup, and the larger size would allow Fuji to fit in a better EVF finder as well as some more dials -- not to mention it would allow all of us to use the same lenses.
Fuji revolutionized camera design when they introduced the now classic X-Pro1 mirrorless body by tuning into the marketplace, which only begs the questions on a full frame X-Pro2: Can they do it again? Should they do it at all? Are they still listening?
I sure hope so.
Despite the introduction of newer, improved models culminating in the very latest X-T1, I've grown fondly attached to my X-Pro1, and threatened by the prospect of an updated, full frame version. I feel a little like Paul Simon when he sings, "Please don't take my Kodachrome away."
 |
| My X-Pro1 is beginning to show signs of hard use. In other words, it is developing character with the promise of an interesting story behind every dent and ding, and a tale of constant trekking in the rubbed off paint and scuffs. I don't think I will ever trade it in on a newer model. Instead, once it has out-lived its usefulness, I'll end up putting it on a shelf where I keep my Leica M2, M4, Nikon Ftn, and Contax G2, and several other cameras that hold special memories of enjoyable shooting sessions. |
A bigger question for me is whether an X-Pro2 will keep its basic style with a hybrid optical/EVF viewfinder. I sure hope so. That is one of the main features that makes the camera so appealing as a cult classic. The other question is whether an EVF finder incorporated into an optical system can have the same excellent characteristics of viewfinder size, refresh rate, and image quality as the X-T1. I'm guessing the engineers at Fujifilm are working on that question right now.
Will a full frame X-Pro1 design be plagued with the same lens conundrum Sony faced with the A7? I am not talking about how Sony dropped the ball by introducing a camera with only the shallowest of lens support. I don't think Fuji would ever make that mistake. Instead, I am thinking of the inherent problem with designing lenses for full frame, which is that they must be larger to cover the larger sensor area and this flies in the face of keeping mirrorless systems compact. Modern lenses are also bulked up by all the auto-focus and stabilization engineering now shrouding the interior optics -- something the manual Leica lenses do not have to include. To make the lenses intended for the A7 full frame series in a size that does not over-power the small camera, Sony had to down-size the maximum zoom apertures to f/4. The new pro zooms coming out for the X-series will be f/2.8 -- larger glass than the variable zooms, certainly, but still reasonably small due to the smaller APS-C sensor they have to complement.
The X-Pro2 will most assuredly accept Leica M lenses. Focus peaking coupled with image magnification now make using manual lenses far more practical. If the X-Pro2 can maintain the optical viewfinder as well as the EVF, it is going to become a very attractive, and much less expensive alternative or supplement to the Leica M.
Fujifilm prides itself, and justly so, on listening to its client base. My guess is that this philosophy of listening will influence the X-Pro2 design as it begins to take shape and reactions come in from the user pool. Not everyone is going to be pleased by going up to full frame. Fuji has mastered the smaller APS-C sensor to a point where serious pro photographers are having no compunction about making the switch from full frame DSLR to Fuji APS-C. The Fuji cameras are really that good.
I have mentioned repeatedly in my reviews of many mirrorless cameras that I feel the manufacturers have gotten caught up in a trendy competition to see who can make the smallest one. To me the nice thing about the X-Pro1 is that it is slightly larger than the rest of the X lineup -- not a lot larger, but enough to make it easier to hold and operate the controls. Maybe instead of moving the X-Pro to full frame, Fuji could consider keeping it as a slightly larger alternative to its other models, perhaps even giving it a beefed up APS sensor. This would add more versatility and choice to the X-camera lineup, and the larger size would allow Fuji to fit in a better EVF finder as well as some more dials -- not to mention it would allow all of us to use the same lenses.
Fuji revolutionized camera design when they introduced the now classic X-Pro1 mirrorless body by tuning into the marketplace, which only begs the questions on a full frame X-Pro2: Can they do it again? Should they do it at all? Are they still listening?
I sure hope so.
If you are planning on purchasing this classic camera, you can help support this site at no extra cost to you by purchasing from one of our affiliate sellers listed below -- and thanks for your support.
The Fujifilm X-Pro1 camera body can be ordered at a new low price from: Amazon
0 Comments:
Post a Comment